Chelsea L from Infinity asked Rob, Cally and I to make her look like a Rockstar. Cally brought the clothes, Rob played around with some awesome lighting and I doused her eyes in black glitter.

Lighting info: Robert used: Bowens Dx750Pro overhead on boom with beauty dish.

SLS-3200′s camera left and right acting as clip lights.

Main Make-Up Ingredients: MAC Studio Fix Fluid, MAC Kohl liner in “smolder”, MAC #219 pencil brush, “blackground” paint pot and black glitter. Lips: “stripdown” pencil, “bubbles” lipstick (limited edition.)

Main Hair Ingredient: Hair-Spray and a comb.

Pro Tip: When working with glitter or any “extreme” eye look its best to apply foundation last. By working on the eyes first one is able to completely remove and wipe the “drop-down” ( eye-shadow or glitter that falls from the eye to the cheek) rather than trying to brush it away after or cover with concealer.

Pho­to­grapher: Robert Miller

Model: Chelsea L from Infinity

Sty­list: Cally Palmer

Make-Up: Samantha Laura Kaye

Hair: Samantha Laura Kaye

Loca­tion: Snap Stu­dios, Woods­tock, Cape Town

Year: 2009

Kira Wil­kin­son is a South African Actress who I felt pri­vi­le­ged to work with. She has an amazing body, accompanied by a powerful face and powerful soul. She pulls off this shot fantastically!

Main Make-up ingre­dients: MAC: Face and Body in C6, brow-gel in clear, MAC eyeshadow in “brule”, “woodwinked” “embark”, “cork” and “shroom”, tech­na­kohl liner in “graph­black”.

Pro Tip: When you’re appl­ying your make-up with a “natu­ral  look” in mind – where you want to sulpt the face with colour (ie a light colour under the browbone) but without frosting or noticeable shimmer  in mind use a non-reflective eye-shadow like MAC’s “brule” and then apply a colour like “shroom” (which is basi­cally the same colour in a more reflec­tive tex­ture) in small doses under the arch of the brow or in-between the eyes or apply a dollop of “woodwinked” – (a veluxe pearl and especially shiny eye-shadow in a colour fairly neutral to people with tanned skin) to the center of the lids. Doing this helps to con­tour the face, draw atten­tion to spe­ci­fic areas and sculpt the face — and the appli­ca­tion of a non-shiny ver­sion of the colour first allows the eyesha­dow to “dilute” making blen­ding easier and turning the shimmer into “amazing” lighting or bone structure.

Main Hair ingre­dients: OSIS “upload”, rollers and hairspray.

Pho­to­grapher: Anton De Beer

Model: Kira Wilkinson

Make-Up: Samantha Kaye

Hair: Samantha Kaye

Sty­list: Kira Wilkinson/ Nicky-Anne De Beer

Loca­tion: Hout­kap­pers­poort, Cons­tan­tia Nek

2009

James  wanted to focus on texture and light, monopolizing the unique set he designed for the shoot which utilized strategic channels of natural light with the help of an accompany assistant and his board, so it was important for the make-up to look “soft” and “fuzzy” whilst still sculpting Colette’s face. By using Colette’s natural colour palette ( the colours in her hair and skin) I was able to keep this look “simple” and “uncomplicated”

Main Make-Up ingredients: Blending! I used MAC’s #224 brush to really “fuzz down” her shadow and enable me to apply shadow from very light to dark without any tell-tale lines or patches. MAC eyeshadow: “brule”, “cork”, “garcon grey” lips: pencil in  “stripdown”  lipglass in “majestic”.

Main Hair ingredients: Rollers, “upload”, Bobby pins and hairspray – I applied OSIS “upload” to her roots, set her hair in rollers for some volume and height, and then brushed it down to keep it voluminous yet natural.

Photographer: James Strack

Model: Colette

Stylist: Caroline Olavarrieta

Hair: Samantha Kaye

Make-Up: Samantha Kaye

Location: One League Studios

2009

James  wanted to focus on texture and light, monopolizing the unique set he designed for the shoot which utilized strategic channels of natural light with the help of an accompany assistant and his board, so it was important for the make-up to look “soft” and “fuzzy” whilst still sculpting Colette’s face. By using Colette’s natural colour palette ( the colours in her hair and skin) I was able to keep this look “simple” and “uncomplicated”

Main Make-Up ingredients: Blending! I used MAC’s #224 brush to really “fuzz down” her shadow and enable me to apply shadow from very light to dark without any tell-tale lines or patches. MAC eyeshadow: “brule”, “cork”, “garcon grey” lips: pencil in  “stripdown”  lipglass in “majestic”.

Main Hair ingredients: Rollers, “upload”, Bobby pins and hairspray – I applied OSIS “upload” to her roots, set her hair in rollers for some volume and height, and then brushed it down to keep it voluminous yet natural.

Photographer: James Strack

Model: Colette

Stylist: Caroline Olavarrieta

Hair: Samantha Kaye

Make-Up: Samantha Kaye

Location: One League Studios

2009

Main Make-Up ingredients: Blending! I used MAC’s #224 brush to really “fuzz down” her shadow and enable me to apply shadow from very light to dark without any tell-tale lines or patches. MAC eyeshadow: “brule”, “cork”, “garcon grey” lips: pencil in  “stripdown”  lipglass in “majestic”.

Main Hair ingredients: Rollers, “upload”, Bobby pins and hairspray – I applied OSIS “upload” to her roots, set her hair in rollers for some volume and height, and then clipped it back with some bobby-pins in a relaxed upstyle.

Photographer: James Strack

Model: Colette

Stylist: Caroline Olavarrieta

Hair: Samantha Kaye

Make-Up: Samantha Kaye

Location: One League Studios

2009

Two Images from a Calendar Shoot we did of Elms, Deborah is extremely talented, and this girl is beautiful

Make-Up Main Ingredients: MAC #42 lash, Kohl Pencil in “smolder“, MAC eyeshadow in “all that glitters” and “Black Tied” MAC pigment “Dark Soul“, YSL Touche Éclat.

Pro Tip for nude or swimwear shoots: Spray hairspray all over her skin for shine and muscle definition [taught to me by Lyndall Jarvis on the Pasella shoot.]

Photographer: Deborah Rossouw

Model: Elms

Make-Up: Samantha Kaye

Hair: Samantha Kaye

Location: Frank Moody’s Studio, Cape Town

2009