Posts Tagged Sam Kaye

Pink Lady

I kept the eyes neutral toned, and sculpted them with texture, applied some individual false lashes (I find the individual lashes look more natural as they lack the “spine” visible with a full false lash) to bring out the shape of the eyes and then matched the lipstick to the wig with MAC’s Amplified Lipstick “Girl About Town”

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Bridal Boudoir

My first shoot with Anton De Beer. We shot Bridal Boudoir looks at a guesthouse in Cape Town and it was lots of fun!

Main Make-Up ingredients: MAC studio sculpt foundation, MAC eyeshadow: “brule”, “shale”, “bronze”,”garcon grey”, “embark”. MAC pigments: “lily white”, “dazzleray”.PlushGlass “big kiss. “ ProLongLash mascara, YSL Touche Éclat.

Main Hair Ingredients: OSIS “upload and “magic”.

Photographer: Anton De Beer

Model: Samantha Laura Kaye

Make-up and Hair: Samantha Laura Kaye

Stylist: Nicky-Anne De Beer.

On Location in 2009

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Kira

Pro Tip: When you’re appl­ying your make-up with a “natu­ral look” in mind – where you want to sulpt the face with colour (ie a light colour under the browbone) but without frosting or noticeable shimmer in mind use a non-reflective eye-shadow like MAC’s “brule” and then apply a colour like “shroom” (which is basi­cally the same colour in a more reflec­tive tex­ture) in small doses under the arch of the brow or in-between the eyes or apply a dollop of “woodwinked” – (a veluxe pearl and especially shiny eye-shadow in a colour fairly neutral to people with tanned skin) to the center of the lids. Doing this helps to con­tour the face, draw atten­tion to spe­ci­fic areas and sculpt the face — and the appli­ca­tion of a non-shiny ver­sion of the colour first allows the eyesha­dow to “dilute” making blen­ding easier and turning the shimmer into “amazing” lighting or bone structure.

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My First Bollywood Experience.

Atlantis, 6 degress Celcius, Ricoffee, frostbite, 2 square meters of shade, forty-something dancers, bikinis, limited sunblock, two toilets, chilli scrambled eggs, chilli curry lunch, bronze, shimmery fabrics, high heels in the sand, 12 hour days, 7am call time – an hour outside of Cape Town.

Seven girls managing hair and make-up, two fried GHD’s in the first thirty minutes, laughter, hunger, exhaustion, laughter trekking over sand dunes and sneaking photographs.

Main Make-Up ingredients: MAC lipglass “viva glam VI” and pigments in “tan” and “coco beach“, Eyeshadow : “bronze”, Eye Kohl: “smolder”

Day 1 – more to follow

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Exhibit Fashion Shoot (1)

Robyn Hobson wears dress by Nucleus.

Fashion Work – 2009

Main Make-up Ingredients: Studio Fix Fluid Foundation, MAC “Hello Kitty” half lash, cremeblush in “brit wit” and Mineralise skinfinish in “light, medium and medium-dark”.

Main Hair Ingredients: Rollers, OSIS “grip” (mousse), LOREAL “Play Ball – Silky Sunrise”


Pho­to­grapher: Mark Freeborough

Model: Robyn Hobson

Hair and Make-up: Samantha Kaye

Clothing: Nuc­leus Clothing

Assis­tant: Frank Moody

Loca­tion: The Barn­yard, Tokai, Cape Town.

2009

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Colette – final

The final image, my personal favorite, from my first shoot with James Strack and Caroline Olvarrietta. For me, this is the show where Colette looks the most beautiful, and also a shot which utilizes the amazing “soft natural light” James created. It was a privilege to work with this great team.

James  wanted to focus on texture and light, monopolizing the unique set he designed for the shoot which utilized strategic channels of natural light with the help of an accompany assistant and his board, so it was important for the make-up to look “soft” and “fuzzy” whilst still sculpting Colette’s face. By using Colette’s natural colour palette ( the colours in her hair and skin) I was able to keep this look “simple” and “uncomplicated

Main Make-Up ingredients: Blending! I used MAC’s #224 brush to really “fuzz down” her shadow and enable me to apply shadow from very light… [ Read more ]

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Colette

This was my first shoot with both James and Caroline. James asked me for “something neutral” keeping the colours to creams, browns and greys.

James  wanted to focus on texture and light, monopolizing the unique set he designed for the shoot which utilized strategic channels of natural light with the help of an accompany assistant and his board, so it was important for the make-up to look “soft” and “fuzzy” whilst still sculpting Colette’s face. By using Colette’s natural colour palette ( the colours in her hair and skin) I was able to keep this look “simple” and “uncomplicated”

Main Make-Up ingredients: Blending! I used MAC’s #224 brush to really “fuzz down” her shadow and enable me to apply shadow from very light to dark without any tell-tale lines or patches. MAC eyeshadow: “brule”, “cork”, “garcon grey” lips: pencil in  “stripdown”  lipglass in “majestic”.

Main Hair ingredients: Rollers, “upload”, Bobby… [ Read more ]

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Shades of Grey

This is one of the first images from my first shoot with James Strack. James asked me for “something neutral” keeping the colours to creams, browns and greys. James said he wanted to focus on texture and light, monopolizing the unique set he designed for the shoot which utilised strategic channels of natural light with the help of an accompany assistant and his board.

Main Make-Up ingredients: Blending! I used MAC’s #224 brush to really “fuzz down” her shadow and enable me to apply shadow from very light to dark without any tell-tale lines or patches. MAC eyeshadow: “brule”, “cork”, “garcon grey” lips: pencil in  “stripdown”  lipglass in “majestic”.

Main Hair ingredients: Rollers, “upload”, Bobby pins and hairspray – I applied OSIS “upload” to her roots, set her hair in rollers for some volume and height, and then clipped it back with some bobby-pins in a relaxed upstyle.

Photographer: James… [ Read more ]

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Chantelle

Chantelle models an evening look for a shoot with Luba – a stock photographer. Luba asked for an evening “glam smokey eye”.

Main Make-Up Ingredients: MAC Kohl Pencil in “smolder” , pigments in “dark soul” and “silver fog”.

Pro Tip: With a smokey eye, or any dark or dramatic eye make-up, always apply the eye make-up first and then the foundation after. That way you can wipe any “drop-down” (pigment or eye-shadow falling around the eye or onto the top of the cheekbone) rather than trying to brush it away and then having to re-do your foundation or concealer.

Pho­to­grapher: Shoots Imaging

Model: Chantelle

Make-Up: Samantha Kaye

Loca­tion: Northern Suburbs

Date: 2009

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Sam

Main Hair ingredients: Frustration and Apathy.

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Afrigator