Posts Tagged Samantha Kaye

Kira

Pro Tip: When you’re appl­ying your make-up with a “natu­ral look” in mind – where you want to sulpt the face with colour (ie a light colour under the browbone) but without frosting or noticeable shimmer in mind use a non-reflective eye-shadow like MAC’s “brule” and then apply a colour like “shroom” (which is basi­cally the same colour in a more reflec­tive tex­ture) in small doses under the arch of the brow or in-between the eyes or apply a dollop of “woodwinked” – (a veluxe pearl and especially shiny eye-shadow in a colour fairly neutral to people with tanned skin) to the center of the lids. Doing this helps to con­tour the face, draw atten­tion to spe­ci­fic areas and sculpt the face — and the appli­ca­tion of a non-shiny ver­sion of the colour first allows the eyesha­dow to “dilute” making blen­ding easier and turning the shimmer into “amazing” lighting or bone structure.

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Exhibit Fashion Shoot (1)

Robyn Hobson wears dress by Nucleus.

Fashion Work – 2009

Main Make-up Ingredients: Studio Fix Fluid Foundation, MAC “Hello Kitty” half lash, cremeblush in “brit wit” and Mineralise skinfinish in “light, medium and medium-dark”.

Main Hair Ingredients: Rollers, OSIS “grip” (mousse), LOREAL “Play Ball – Silky Sunrise”


Pho­to­grapher: Mark Freeborough

Model: Robyn Hobson

Hair and Make-up: Samantha Kaye

Clothing: Nuc­leus Clothing

Assis­tant: Frank Moody

Loca­tion: The Barn­yard, Tokai, Cape Town.

2009

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Colette – final

The final image, my personal favorite, from my first shoot with James Strack and Caroline Olvarrietta. For me, this is the show where Colette looks the most beautiful, and also a shot which utilizes the amazing “soft natural light” James created. It was a privilege to work with this great team.

James  wanted to focus on texture and light, monopolizing the unique set he designed for the shoot which utilized strategic channels of natural light with the help of an accompany assistant and his board, so it was important for the make-up to look “soft” and “fuzzy” whilst still sculpting Colette’s face. By using Colette’s natural colour palette ( the colours in her hair and skin) I was able to keep this look “simple” and “uncomplicated

Main Make-Up ingredients: Blending! I used MAC’s #224 brush to really “fuzz down” her shadow and enable me to apply shadow from very light… [ Read more ]

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Colette

This was my first shoot with both James and Caroline. James asked me for “something neutral” keeping the colours to creams, browns and greys.

James  wanted to focus on texture and light, monopolizing the unique set he designed for the shoot which utilized strategic channels of natural light with the help of an accompany assistant and his board, so it was important for the make-up to look “soft” and “fuzzy” whilst still sculpting Colette’s face. By using Colette’s natural colour palette ( the colours in her hair and skin) I was able to keep this look “simple” and “uncomplicated”

Main Make-Up ingredients: Blending! I used MAC’s #224 brush to really “fuzz down” her shadow and enable me to apply shadow from very light to dark without any tell-tale lines or patches. MAC eyeshadow: “brule”, “cork”, “garcon grey” lips: pencil in  “stripdown”  lipglass in “majestic”.

Main Hair ingredients: Rollers, “upload”, Bobby… [ Read more ]

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Shades of Grey

This is one of the first images from my first shoot with James Strack. James asked me for “something neutral” keeping the colours to creams, browns and greys. James said he wanted to focus on texture and light, monopolizing the unique set he designed for the shoot which utilised strategic channels of natural light with the help of an accompany assistant and his board.

Main Make-Up ingredients: Blending! I used MAC’s #224 brush to really “fuzz down” her shadow and enable me to apply shadow from very light to dark without any tell-tale lines or patches. MAC eyeshadow: “brule”, “cork”, “garcon grey” lips: pencil in  “stripdown”  lipglass in “majestic”.

Main Hair ingredients: Rollers, “upload”, Bobby pins and hairspray – I applied OSIS “upload” to her roots, set her hair in rollers for some volume and height, and then clipped it back with some bobby-pins in a relaxed upstyle.

Photographer: James… [ Read more ]

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Queen Victoria Street

This is my favorite photograph from the Calendar series Deborah and I created with Elms Koortzen. Debs claims it to be a complete accident, a work of chance as she took it casually, her hands and her camera far from her face as we exited my apartment. I love the angle, the lines of the building, and Deb’s P.P. work is out of this world.

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