Posts Tagged upload

Looking Through the Window at Life

This is a photograph extracted from Anton De Beer’s “Bridal Boudoir” series.

“Looking though the window at life. You look amazing to me” is the title given to this photograph by the model, Kira Wilkinson. Kira and I shared a chalet whilst touring Jo-Burg with Madame Zingara and when she finally returned back from the UK I felt privileged to finally work with her on a test. I really love the ambiance of this photograph, the lighting, the reflections in the glass and the neutral colour palette. I hope to work with this team again soon!

Main Make-up ingredients: MAC: Face and Body in C6, brow-gel in clear,  eyeshadows in “brule”, “embark”, “cork” and “shroom”, technakohl liner in “graphblack”.

Pro Tip: When you’re applying your make-up with a clean, natural or matt look in mind use a non-reflective eye-shadow like MAC’s “brule” and then apply a colour like “shroom”[ Read more ]

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Kira

Pro Tip: When you’re appl­ying your make-up with a “natu­ral look” in mind – where you want to sulpt the face with colour (ie a light colour under the browbone) but without frosting or noticeable shimmer in mind use a non-reflective eye-shadow like MAC’s “brule” and then apply a colour like “shroom” (which is basi­cally the same colour in a more reflec­tive tex­ture) in small doses under the arch of the brow or in-between the eyes or apply a dollop of “woodwinked” – (a veluxe pearl and especially shiny eye-shadow in a colour fairly neutral to people with tanned skin) to the center of the lids. Doing this helps to con­tour the face, draw atten­tion to spe­ci­fic areas and sculpt the face — and the appli­ca­tion of a non-shiny ver­sion of the colour first allows the eyesha­dow to “dilute” making blen­ding easier and turning the shimmer into “amazing” lighting or bone structure.

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Colette – final

The final image, my personal favorite, from my first shoot with James Strack and Caroline Olvarrietta. For me, this is the show where Colette looks the most beautiful, and also a shot which utilizes the amazing “soft natural light” James created. It was a privilege to work with this great team.

James  wanted to focus on texture and light, monopolizing the unique set he designed for the shoot which utilized strategic channels of natural light with the help of an accompany assistant and his board, so it was important for the make-up to look “soft” and “fuzzy” whilst still sculpting Colette’s face. By using Colette’s natural colour palette ( the colours in her hair and skin) I was able to keep this look “simple” and “uncomplicated

Main Make-Up ingredients: Blending! I used MAC’s #224 brush to really “fuzz down” her shadow and enable me to apply shadow from very light… [ Read more ]

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Colette

This was my first shoot with both James and Caroline. James asked me for “something neutral” keeping the colours to creams, browns and greys.

James  wanted to focus on texture and light, monopolizing the unique set he designed for the shoot which utilized strategic channels of natural light with the help of an accompany assistant and his board, so it was important for the make-up to look “soft” and “fuzzy” whilst still sculpting Colette’s face. By using Colette’s natural colour palette ( the colours in her hair and skin) I was able to keep this look “simple” and “uncomplicated”

Main Make-Up ingredients: Blending! I used MAC’s #224 brush to really “fuzz down” her shadow and enable me to apply shadow from very light to dark without any tell-tale lines or patches. MAC eyeshadow: “brule”, “cork”, “garcon grey” lips: pencil in  “stripdown”  lipglass in “majestic”.

Main Hair ingredients: Rollers, “upload”, Bobby… [ Read more ]

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Shades of Grey

This is one of the first images from my first shoot with James Strack. James asked me for “something neutral” keeping the colours to creams, browns and greys. James said he wanted to focus on texture and light, monopolizing the unique set he designed for the shoot which utilised strategic channels of natural light with the help of an accompany assistant and his board.

Main Make-Up ingredients: Blending! I used MAC’s #224 brush to really “fuzz down” her shadow and enable me to apply shadow from very light to dark without any tell-tale lines or patches. MAC eyeshadow: “brule”, “cork”, “garcon grey” lips: pencil in  “stripdown”  lipglass in “majestic”.

Main Hair ingredients: Rollers, “upload”, Bobby pins and hairspray – I applied OSIS “upload” to her roots, set her hair in rollers for some volume and height, and then clipped it back with some bobby-pins in a relaxed upstyle.

Photographer: James… [ Read more ]

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